CURRENT ISSUE CURRENT EXHIBITIONS CENTERFOLDS ZINE LETTERS TO THE EDITOR SUBSCRIBE EMAIL BLASTS


artscope magazine: March/April 2012
Welcome Statement: Brian Goslow, managing editor
cornered: A CONVERSATION WITH JASON TALBOT, AFH SPECIAL PROJECTS DIRECTOR
A New Vision: Modernist Photography
Hans-Christian Lischewski Untitled: A Retrospective
Shapeshifting: Transformations in Native American Art
The 2012 deCordova Biennial
The 2012 DeCordova Biennial
Tapestry (Radio On): New Work by Victoria Morton at the Gardner
Catherine Evans: Copious
Amy Goodwin: What She Saw
Matt Albanese aka MCA
Janet Rickus
101 Photos for Press Freedom
The Providence Art Club
Tanja Alexia Hollander: Are You Really My Friend?
Coming of Age: New England Artists Under 30
Natural Wonders: Anda Dubinskis, Marcy Hermansader and John Udvardy
Environment and Object: Recent African Art
Wax is a Verb
Wanderlust: New Haven
Capsule Previews
cornered: A CONVERSATION WITH JASON TALBOT, AFH SPECIAL PROJECTS DIRECTOR
Catherine Laferiere




Since 1991, the vibrant, pulsing experiment known as the South Boston -based Artists for Humanity has provided creative job training and paid employment to thousands of urban tens in the arts, giving them the keys to self-sufficiency;last year alone the students’ work generated over $800,000 in sales. On the eve of its Seventh Annual Greatest Party on Earth on April 28, artscope ’s Catherine Laferiere cornered AFH’s special projects director,Jason Talbot .

Tell me a little bit about the early days, 20 years ago, when you were a teenager developing the vision for AFH with your co-founders…

Talbot:The creation of a non-profit is often a very academic endeavor. People identify an issue and propose a solution. That solution is sometimes effective and sometimes it is not. We instead came together around an art project. A group of teens, including myself, presented ourselves as hardworking, outspoken leaders and advocates for our peers. When we started AFH it had a direction, but it was flexible enough to respond to the input of us as teens. The fact we could contribute ideas that were heard and responded to made this place very different than the established institution we were used to. Living in a tough neighborhood you see the issues that lead to violence, poverty and poor life decisions. (Executive/Artistic Director) Susan Rodgerson listened to our opinions and solutions and she took that input and incorporated it into her own creative vision and AFH was born.



You currently lead the video instruction program…

Talbot: With social media growing in importance and impact, Webbased media is at the forefront of 20th century communication. Like lots of the programs at AFH it was client-driven based on what clients were looking for. I love videos, I love movies, and I love the idea of making media in a creative way and empowering young people to make media as well. With web-based media being so prevalent it’s important that our youth take part in the conversation and that they have the tools and the resources it takes to do so. We’ve turned out tons of great projects.



Talbot:When Google rolled out Google Apps they asked us to produce a video showing the public how to use those apps and make people aware the apps existed. We also did a project for the Boston Public Health Commission — an anti-cyberbullying campaign and a campaign to encourage kids to drink water and milk instead of sugar-sweetened beverages. We did an Adobe Youth Voices project, too, where we used Adobe software to tell an awesome anti-bullying story. We’re really good at youth communication. Our kids speak the language.



Share a recent success story with me…



Talbot:That’s one of the awesome parts about our program. You learn how to draw, you learn how to paint, you learn how to be creative but you don’t pigeonhole yourself. We want everyone in every industry to realize that a creative person and a creative thinker is a good person to have on staff. In education, in civil leadership, in corporate leadership—the more creative you are the more successful you’ll be.



Talbot:Recently Mission Hill Main Streets came to us to create bike racks to help encourage bike riding in the city. We gave the job to our sculpture studio. It ended up taking on a life of its own. Our young people had to draw sketches, they had to produce models, then use a 3-D design program to model the bike racks. Then they had to present the idea to the client. There were all these different levels. Mission Hill loved the designs so much that they chose four in total; the bike racks are still on the streets today — still encouraging people to ride their bikes and lower their carbon footprint.



AFH’s mission is to bridge economic, racial and social divisions by providing paid employment through the arts…



Talbot:Boston is a college town, it’s the hub of commerce, but you have some kids that are totally shut off and segregated from those opportunities and find themselves misguided, with terrible role models. Susan [Rodgerson] helped us understand that to be successful you had to work hard. That wasn’t the message I always received when I was a teenager. We thought that being successful meant that you had to be able to jump high and be a basketball player or win the lottery.



Talbot:So Susan helped to redirect us, as teenagers, to hard work. She helped us feel welcome in Boston, in arenas like Newbury Street — I didn’t know that I was welcome there, in the art galleries all up and down Newbury Street. Being a painter and starting to see my work in those places, that’s when I started to feel included and that I had an alternative to some of the negative things that were going on in the street.



Talbot:We try to provide those same connections with the kids today, connections to lawyers and entrepreneurs. We help to facilitate meetings with businessmen and business owners and designers. We bring people together on the fact that our young people do have talent, and stories to tell, and a unique know-how on the way that the world works from their perspective. That is a valuable resource to a lot of people. Our kids are here because they’re creative and our clients are here because they’re successful with their businesses. Together they can meet on equal ground and that’s where we built that bridge.



(More information on Artists for Humanity can be found at www. afhboston.org.)






Read the entire article in our magazine pages...

Select an artscope issue




Share on Facebook


 

FAQ - ABOUT US/ CONTACT - ADVERTISE - JOB OPPORTUNITIES - TERMS OF USE - CLASSIFIEDS   

Instagram

 



Copyright 2013 Artscope Magazine