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artscope magazine: November/December 2009
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
roundtable - Three Professionals. One Question.
cornered: a conversation with an art exhibition attendee
FEATURED ARTIST CHARLIE HUNTER - The Humor of Decline, Memory, and Time
FEATURE: DAMIÁN ORTEGA DOES IT AT THE ICA
ADRIA ARCH: GLYPHOLOGY
NO MAN'S LAND: BONNELL ROBINSON AND DANA MUELLER
SKIPPING, SPLASHING, AND PLAINTIVE - THE WEIGHTY WORKS OF CASEY ROBERTS
SACRED MONSTERS: EVERYDAY ANIMISM IN CONTEMPORARY JAPANESE ART AND ANIMATION
DEEP SPACE: KATHLEEN CAMMARATA
FEATURE: MRS. DELANEY AND HER CIRCLE
Connecting the Dots... The Warhol Legacy
INNER CITY at RISD
EXPANDING THE POSSIBILITIES: New England Watercolor Society Regional Show
THE ART OF DEVOTION: Panel Painting in Early Renaissance Italy
FABRICATING TIME: ALICE SPENCER
MIGRATIONS: New Directions in Native American Art
wanderlust - Historic and Contemporary: Portland, Maine's Art Scene
Industry focus: A Moldmaker's Mecca - Reynolds Advanced Materials
BOSTON THEATER: A 2009-2010 SEASON PREVIEW
PECHA WHAT? PECHA KUCHA, WORCESTER
Capsule Previews
FEATURE: DAMIÁN ORTEGA DOES IT AT THE ICA
James Foritano

DamiÁn Ortega: Do It Yourself

Institute of Contemporary Art/Boston
100 Northern Avenue
Boston

Through January 18, 2010

OVER REPEATED VISITS TO THE DAMIÁN ORTEGA RETROSPECTIVE "DO IT YOURSELF" AT THE ICA, THIS OBSERVER ACQUIRED SOME OF THE MANY ATTITUDES HELPFUL IN SEEING WHAT MOVES ORTEGA'S PUCKISH, RESTLESS SPIRIT.



Whether prodded by the exclamation of a friend at my shoulder or the posture of one of the ambient crowd, detached and thoughtful before a conundrum that whispered to him personally, I gave rein to curiosities I didn’t know I possessed, followed trails that others scented before me.

“Cosmic Thing,” owned by the San Francisco Museum of Art, is a 20-year-old, well used Volkswagen, barely refurbished in battleship grey and suspended, piece by piece, in all its simplicity and complexity from the ICA’s west gallery ceiling. Also suspended in the midst of these parts are gesticulating observers who have probably never stood so close to a naked chassis, or stood under a driver’s seat in the privileged position of a mechanic hazarding a diagnosis.



Added to the universal fascination of bi-pedals with motion, and those cunning contraptions that propel our motion, it turns out that the Volkswagen is and has been a key player in Mexico City’s dynamic growth. It was the chosen, easily repairable steed of Ortega as an impecunious student of art, and still carries a significant number of urbanites to their wide-flung, diverse occupations.



To someone like myself who dreams of planning a new Athens in my spare moments, this humble buggy’s role as a gear in the machinery of Mexico City appealed greatly. And for moments, I bonded with those drivers as we joined the rambunctious traffic of




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