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artscope magazine: November/December 2009
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
roundtable - Three Professionals. One Question.
cornered: a conversation with an art exhibition attendee
FEATURED ARTIST CHARLIE HUNTER - The Humor of Decline, Memory, and Time
FEATURE: DAMIÁN ORTEGA DOES IT AT THE ICA
ADRIA ARCH: GLYPHOLOGY
NO MAN'S LAND: BONNELL ROBINSON AND DANA MUELLER
SKIPPING, SPLASHING, AND PLAINTIVE - THE WEIGHTY WORKS OF CASEY ROBERTS
SACRED MONSTERS: EVERYDAY ANIMISM IN CONTEMPORARY JAPANESE ART AND ANIMATION
DEEP SPACE: KATHLEEN CAMMARATA
FEATURE: MRS. DELANEY AND HER CIRCLE
Connecting the Dots... The Warhol Legacy
INNER CITY at RISD
EXPANDING THE POSSIBILITIES: New England Watercolor Society Regional Show
THE ART OF DEVOTION: Panel Painting in Early Renaissance Italy
FABRICATING TIME: ALICE SPENCER
MIGRATIONS: New Directions in Native American Art
wanderlust - Historic and Contemporary: Portland, Maine's Art Scene
Industry focus: A Moldmaker's Mecca - Reynolds Advanced Materials
BOSTON THEATER: A 2009-2010 SEASON PREVIEW
PECHA WHAT? PECHA KUCHA, WORCESTER
Capsule Previews
wanderlust - Historic and Contemporary: Portland, Maine's Art Scene
Elena Sarni


Despite being a native New Hampshire-ite, I was a bit insulted on behalf of Maine when I was once asked “What art scene?” when I told someone that I cover the Maine art scene for artscope. There certainly exists a vibrant Maine art scene, otherwise what have I spent the last two years writing about?



Maine has historically been a retreat for artists, its landscape inspiring artistic giants dating back to Winslow Homer and Fitz Henry Lane. But, you don’t have to travel to Maine’s remote islands, or Downeast to enjoy the work of Maine’s past and present artists. A walk down Congress Street in Portland’s Art District, which spans from Longfellow Square to Monument Square, is like walking down a less polished, more offbeat version of Boston’s Newbury Street in terms of art galleries per block.




The city is home to nearly a quarter of the entire state’s population, making it a cultural epicenter and diverse community. I would recommend making your visit on a Saturday if you are planning to visit Portland’s plentitude of galleries, and reserve Sundays for the larger institutions, like the Portland Museum of Art. Although, if you are lucky enough to get out of work early on Friday, you can take advantage of free admission to the Portland Museum of Art, courtesy of L.L. Bean, or Portland’s monthly, aptly named First Friday Art Walks from 5 to 7 p.m., when Portland really comes alive. Nearly 70 venues participate, and the streets are filled with art and culture aficionados.



I recently spent a day enjoying the city. I started in the Old Port, where an increasing number of galleries have surfaced among the undeniably charming cobblestoned streets and varied architectural styles. Chic shops and restaurants abound. Last spring, gallery owner Andres Verzosa made news when he moved Aucocisco Gallery, one of Portland’s most notable galleries, from the center of the Arts District on Congress Street to the tree lined Exchange Street of Old Port. One thing has remained the same — upon entering the gallery, you will most likely be greeted by Arrow, one of the many dogs that act as mascots for Portland galleries in this dog-friendly city. Verzosa’s renovations of what initially was a bank, built after the great fire of 1866, included uncovering the original, marble, mosaic floor tile; opening up the space; brightening the walls; and highlighting some of the space’s archetypal architectural features — making the gallery a work of art itself. Aucocisco represents some of Maine’s finest contemporary artists, including Dozier Bell and Lauren Fensterstock, both

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