See the Current Exhibitions page for breaking news feed

CURRENT ISSUE CURRENT EXHIBITIONS CENTERFOLDS ZINE LETTERS TO THE EDITOR SUBSCRIBE EMAIL BLASTS


artscope magazine: March/April 2009
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
Master of Reality: Kanishka Raja, Angela Dufresne, Chie Fueki, Francesca DiMattio and Matthew Day Jackson
BEBE BEARD: WITH OR WITHOUT YOU
LAURA SCHIFF BEAN: JOURNEY
ARTIST BIO: KATHY HALAMAKA AND GARY DUEHR
SIDNEY HURWITZ: FIVE DECADES
BÉATRICE DAUGE KAUFMANN
SHELTER: UNIQUE VISIONS OF A UNIVERSAL SUBJECT THROUGH ARTIST'S BOOKS
MASKS: THE MAGIC OF TRANSFORMATION
KAYROCK & WOLFY: WHEN ART IMITATES LIFE IMITATION ART
SHEPARD FAIREY: SUPPLY AND DEMAND
AZ FINE ARTS
PULL OF GRAVITY: PHOTOGRAPHS BY ELIJAH GOWIN AND EMMET GOWIN
JUDITH SOWA: VERMEER REVISITED
DEREK HARDING AND JASON GREEN
NEW/NOW THE AMALGAMATE: NICOLE DUENNEBIER
RENEWAL: PRINTMAKERS FROM THE NEW NORTHERN IRELAND
MORE THAN BILINGUAL: WILLIAM CORDOVA AND MAJOR JACKSON
GLASS MASTERS
LUX PERPETUA: PHOTOGRAPHS BY JOSEPHINE SACABO
PEARLS OF COTUIT: A COMMUNITY CELEBRATES ITS ARTISTS
WHAT CAN A WOMAN DO? WOMEN, WORK, AND WARDROBE 1865 - 1940
CAT ON A HOT TIN ROOF
CASA DE LA CULTURA/CENTER FOR LATINO ARTS
REDISCOVERING ART WITH KRISTINA BIRD
SURVIVING IN A DOWNTURN
LUX PERPETUA: PHOTOGRAPHS BY JOSEPHINE SACABO
Paula Melton


Hallmark Museum of Contemporary Photography

56 Avenue A

Turners Falls, Massachusetts;/br>
Through March 29

The title of this astonishing show — Lux Perpetua, or “light forever” — is a surprisingly optimistic take, considering the tone of the work.

Three distinct series of images fathom the darkest elements of human memory and imagination. And yet, though these photographs by Josephine Sacabo unflinchingly face the worst — loss, madness, decay, nightmare and even death itself — their darkness does not exist for its own sake, but instead serves to draw out a luminous beauty that is defined, but never dominated, by shadow.

In the series “El Mundo Inalcanzable de Susana San Juan,” for instance, a resplendent face, hand, archway or other detail emerges from multiple, hazily layered sepia shades. Despite the subject matter — a woman’s descent into madness and ultimate embrace of death — the work portrays the beauty of the heroine, Susana. And yet it does so with neither glorification nor melodrama — indeed,


Read the entire article in our magazine pages...

Select an artscope issue




Share on Facebook

 

 


 

 


 

 




ABOUT US/ CONTACT - ADVERTISE - JOB OPPORTUNITIES - TERMS OF USE - CLASSIFIEDS   

Instagram



Copyright 2013 Artscope Magazine