Fuller Craft Museum



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Haring and Fish by Le-Xi at C.X. Silver Gallery
C.X. Silver Gallery

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artscope magazine: March/April 2009
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
Master of Reality: Kanishka Raja, Angela Dufresne, Chie Fueki, Francesca DiMattio and Matthew Day Jackson
BEBE BEARD: WITH OR WITHOUT YOU
LAURA SCHIFF BEAN: JOURNEY
ARTIST BIO: KATHY HALAMAKA AND GARY DUEHR
SIDNEY HURWITZ: FIVE DECADES
BÉATRICE DAUGE KAUFMANN
SHELTER: UNIQUE VISIONS OF A UNIVERSAL SUBJECT THROUGH ARTIST'S BOOKS
MASKS: THE MAGIC OF TRANSFORMATION
KAYROCK & WOLFY: WHEN ART IMITATES LIFE IMITATION ART
SHEPARD FAIREY: SUPPLY AND DEMAND
AZ FINE ARTS
PULL OF GRAVITY: PHOTOGRAPHS BY ELIJAH GOWIN AND EMMET GOWIN
JUDITH SOWA: VERMEER REVISITED
DEREK HARDING AND JASON GREEN
NEW/NOW THE AMALGAMATE: NICOLE DUENNEBIER
RENEWAL: PRINTMAKERS FROM THE NEW NORTHERN IRELAND
MORE THAN BILINGUAL: WILLIAM CORDOVA AND MAJOR JACKSON
GLASS MASTERS
LUX PERPETUA: PHOTOGRAPHS BY JOSEPHINE SACABO
PEARLS OF COTUIT: A COMMUNITY CELEBRATES ITS ARTISTS
WHAT CAN A WOMAN DO? WOMEN, WORK, AND WARDROBE 1865 - 1940
CAT ON A HOT TIN ROOF
CASA DE LA CULTURA/CENTER FOR LATINO ARTS
REDISCOVERING ART WITH KRISTINA BIRD
SURVIVING IN A DOWNTURN
NEW/NOW THE AMALGAMATE: NICOLE DUENNEBIER
Tayrn Plumb


New Britain Museum of American Art

56 Lexington Street

New Britain, Connecticut;/br>
Through April 26

Woods of dusk and smoky brown shadows. A felled tree, ribbon of encircling red attracting moths, butterflies, caterpillars, dragonflies. Willowy and near transparent in the nighttime wilderness, they are greedy, festering, chewing. At the edge of the swirling feast, lizards — tongues lolling, bellies fat, gulping larvae.



Entitled “Tumult,” this is a scene of life and death; growth and decay; beauty and revulsion. Its creator, young artist Nicole Duennebier, who graduated from the Greater Hartford Academy of the Arts and the Maine College of Art and now lives in Somerville, Mass., explores such contradictions of the natural world in this exhibition. Her 21 canvases share a muted and dank color scheme: rust-charred reds, rotting browns, murky greens. The few bursts of vibrancy act as highlighters — flamboyant coral or crimson — and represent the rarity and fleeting quality of beauty.



“Caviar Snare,” for instance, draws eyes with a formless, floating elegance of luminescent red caviar. Beneath it, in a rot of brown, shadows of antennaed bugs and slugs crawl and creep. Upon closer inspection, more can be seen in the haze — amoebas,


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