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artscope magazine: March/April 2009
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
Master of Reality: Kanishka Raja, Angela Dufresne, Chie Fueki, Francesca DiMattio and Matthew Day Jackson
BEBE BEARD: WITH OR WITHOUT YOU
LAURA SCHIFF BEAN: JOURNEY
ARTIST BIO: KATHY HALAMAKA AND GARY DUEHR
SIDNEY HURWITZ: FIVE DECADES
BÉATRICE DAUGE KAUFMANN
SHELTER: UNIQUE VISIONS OF A UNIVERSAL SUBJECT THROUGH ARTIST'S BOOKS
MASKS: THE MAGIC OF TRANSFORMATION
KAYROCK & WOLFY: WHEN ART IMITATES LIFE IMITATION ART
SHEPARD FAIREY: SUPPLY AND DEMAND
AZ FINE ARTS
PULL OF GRAVITY: PHOTOGRAPHS BY ELIJAH GOWIN AND EMMET GOWIN
JUDITH SOWA: VERMEER REVISITED
DEREK HARDING AND JASON GREEN
NEW/NOW THE AMALGAMATE: NICOLE DUENNEBIER
RENEWAL: PRINTMAKERS FROM THE NEW NORTHERN IRELAND
MORE THAN BILINGUAL: WILLIAM CORDOVA AND MAJOR JACKSON
GLASS MASTERS
LUX PERPETUA: PHOTOGRAPHS BY JOSEPHINE SACABO
PEARLS OF COTUIT: A COMMUNITY CELEBRATES ITS ARTISTS
WHAT CAN A WOMAN DO? WOMEN, WORK, AND WARDROBE 1865 - 1940
CAT ON A HOT TIN ROOF
CASA DE LA CULTURA/CENTER FOR LATINO ARTS
REDISCOVERING ART WITH KRISTINA BIRD
SURVIVING IN A DOWNTURN
AZ FINE ARTS
Brian Goslow


339 Washington Street

Wellesley, Massachusetts


By the sound of his laughter that seems to follow each visitor entering AZ Fine Arts gallery, you can tell Peter Ziegelman truly loves his work. That passion comes through even louder when you see the quality of the work he’s put together for his customers.



“It’s constantly changing,” said Ziegelman, who opened the gallery in 2005 in the former Wellesley Hills train station designed by H.H. Richardson. The architect also designed the landmark Trinity Church in Copley Square, Boston. “I liked that he was an artist and it would be a place we’d sell art.”



Around the corner, classically (and Montserrat) taught Scott Holloway’s “Dreaming of the Original Sin” features a jawless skull underlined with two crossed bones surrounded by sparkling gold paint that melts into a glossed palate holding eerie, barely decipherable writing. It’s a format that’s made for much desired t-shirt designs that have introduced him to new audiences.



Prior to AZ’s opening, Ziegelman spent six-to-eight months selecting original artists to work with. He’s never stopped searching. “I’m always looking at artist galleries online and going to a lot of shows throughout New England,” he said. “And I’ve been able to attract new artists


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