Artscope Magazine

artscope magazine: July/August 2008

Welcome Statement: Brian Goslow, managing editor

Letters to the Editor

Past, Present, Future: ANISH KAPOOR

ANDREW SAFTEL: How do we get there?

WEDDED BLISS: The Marriage of Art and Ceremony

A POLITIC, Gallery XIV

El Greco To Velázquez: Art during the reign of Philip III

Luisa Rabbia: Travels with Isabella, Travel Scrapbooks 1883/2008

Collector's Choice: Late 19th Century Vibrations

OFF THE WALL: 2008 Annual members’ Juried exhibition

Featured Artist Laurence Young

An Artful Touch: An Artful Touch Gallery

Everday Monuments: the Photographs of Jerome Liebling:

SAM FEINSTEIN (1915-2003): A retrospective

DORA ATWATER MILLIKIN: Geometry of Place

Nancy Craig: New Paintings and Works on Paper, and Romolo Del Deo: New Sculpture and Bronze Furniture

ALEX KATZ AND FRIENDS / THE GLEANERS

BLACK WOMANHOOD: Images, Icons, And Ideologies of the African Body

215 College Street Artists' Cooperative Gallery

Kevin Gilmore: Recent Paintings

Paintings: Stephen Courbois, Sculpture: Pat Musick

Penelope Jencks: Sculpture in Bronze, Terracotta and Plaster

Theater: Counter Productions

Theater: Ko FEST

Music: Marblehead Summer Jazz Concerts and Festival of Arts

Dance: Bates Summer Dance Festival

Musings: FUNG WAH ADVENTURE

Capsule Previews: May/June 2008

Music: Marblehead Summer Jazz Concerts and Festival of Arts
Roanna Forman

Marblehead Summer Jazz Concerts

Through August 23

Marblehead Festival of Arts

July 3 through 6

“Summer begins at those concerts for us,” said Oliver Loewen, long-time subscriber of Marblehead Summer Jazz. “It’s probably the best put together jazz series in the Boston area.” Since 1985, when Marblehead jazz aficionados started the concert series, they’ve worked hard to keep it that way.

It began with a “wouldn’t-it-benice” conversation between the late Richard Conte, JoAnne King and Gene Arnould, about bringing then young, newly graduated from Berklee jazz pianist Makoto Ozone to Marblehead. Their arts-friendly Unitarian Universalist Church liked the idea and its pews became the concert venue. After succeeding beyond their wildest dreams - they sold 400 tickets for the 275-seat hall with listeners encircling the piano and filling the stairs - the producers set other dates and started the series.

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