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artscope magazine: July/August 2008
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
Past, Present, Future: ANISH KAPOOR
ANDREW SAFTEL: How do we get there?
WEDDED BLISS: The Marriage of Art and Ceremony
A POLITIC, Gallery XIV
El Greco To Velázquez: Art during the reign of Philip III
Luisa Rabbia: Travels with Isabella, Travel Scrapbooks 1883/2008
Collector's Choice: Late 19th Century Vibrations
OFF THE WALL: 2008 Annual members’ Juried exhibition
Featured Artist Laurence Young
An Artful Touch: An Artful Touch Gallery
Everday Monuments: the Photographs of Jerome Liebling:
SAM FEINSTEIN (1915-2003): A retrospective
DORA ATWATER MILLIKIN: Geometry of Place
Nancy Craig: New Paintings and Works on Paper, and Romolo Del Deo: New Sculpture and Bronze Furniture
ALEX KATZ AND FRIENDS / THE GLEANERS
BLACK WOMANHOOD: Images, Icons, And Ideologies of the African Body
215 College Street Artists' Cooperative Gallery
Kevin Gilmore: Recent Paintings
Paintings: Stephen Courbois, Sculpture: Pat Musick
Penelope Jencks: Sculpture in Bronze, Terracotta and Plaster
Theater: Counter Productions
Theater: Ko FEST
Music: Marblehead Summer Jazz Concerts and Festival of Arts
Dance: Bates Summer Dance Festival
Musings: FUNG WAH ADVENTURE
Capsule Previews: May/June 2008
Theater: Ko FEST
Greg Morell


Amherst College
Route 9 and Route 116
Amherst, Massachusetts


July 7 through August 10

Returning to the Amherst college campus for its 17th season, the Ko Festival has established itself as the summer theater experience of choice for those with a taste for the provocative and challenging. this is not your Aunt martha’s summer theater – what you will not see is anything resembling “Our Town,” “South Pacific,” “Charlie’s Aunt” or “The Odd Couple.” It is an enterprise of workshops and formal presentations.

The word “Ko” is taken from the I Ching and can be translated as “revolution,” “molting” or “transformation.” An evening of Ko can either be deeply rewarding or just plain deep.

Festival Director Sabrina Hamilton has enjoyed a long tenure, having been with the festival since its inception. Each season she establishes a festival focus; the theme examined this season is “Food.” As the world grapples with the food crisis, we are given food for thought. At the Ko Fest we can indulge our theatrical craving for something beyond the norm, something nouvelle, something enriched with exotic spice that can either sting or delight the palate.

Although the Ko Festival eschews tradition, one tradition that is heartily embraced by all is the appearance each year of Ralph Lee and his Mettawee River Theater Company. The venerable Lee is a theatrical wizard of the first order. Each year he creates a richly imaginative program of myth or fable, usually with an Eastern sensibility.

Lee is a master of theatrical craft as playwright, director, puppet and mask maker, musician, composer, designer and producer. He and his dedicated ensemble of devoted actors function as orators, musicians, puppeteers and sceneshifters. They are a fully integrated team of thespians trouping about the New England summer performing on village greens, museum lawns and college campuses. With the exception of electric light for their early evening performances, the group performs in much the same manner as traveling troupes from the days of horse and wagon. Lee knows how to wield the wand of enchantment. He does not have fans; he has devotees.


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