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artscope magazine: July/August 2008
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
Past, Present, Future: ANISH KAPOOR
ANDREW SAFTEL: How do we get there?
WEDDED BLISS: The Marriage of Art and Ceremony
A POLITIC, Gallery XIV
El Greco To Velázquez: Art during the reign of Philip III
Luisa Rabbia: Travels with Isabella, Travel Scrapbooks 1883/2008
Collector's Choice: Late 19th Century Vibrations
OFF THE WALL: 2008 Annual members’ Juried exhibition
Featured Artist Laurence Young
An Artful Touch: An Artful Touch Gallery
Everday Monuments: the Photographs of Jerome Liebling:
SAM FEINSTEIN (1915-2003): A retrospective
DORA ATWATER MILLIKIN: Geometry of Place
Nancy Craig: New Paintings and Works on Paper, and Romolo Del Deo: New Sculpture and Bronze Furniture
ALEX KATZ AND FRIENDS / THE GLEANERS
BLACK WOMANHOOD: Images, Icons, And Ideologies of the African Body
215 College Street Artists' Cooperative Gallery
Kevin Gilmore: Recent Paintings
Paintings: Stephen Courbois, Sculpture: Pat Musick
Penelope Jencks: Sculpture in Bronze, Terracotta and Plaster
Theater: Counter Productions
Theater: Ko FEST
Music: Marblehead Summer Jazz Concerts and Festival of Arts
Dance: Bates Summer Dance Festival
Musings: FUNG WAH ADVENTURE
Capsule Previews: May/June 2008
215 College Street Artists' Cooperative Gallery
Alexandra Tursi


215 College Street
Burlington, Vermont


Linda E. Jones and Riki Moss, Encaustic Paintings, Mixed Media and Abaca Sculpture



Through July 13



Elise Whittemore-hill and Ethel Whittemore, Mixed Media, Painting and Drawing and Fibre Arts



July 18 through August 10

Those who visit the 215 College Street Artists’ Cooperative Gallery this summer will find works by artists disparate in style and medium, but with one basic commonality in mind – a desire to explore the associations the mind makes in reference to the environment. Founded nearly three years ago, this small but open space nestled into Burlington’s Church Street Marketplace continues to offer compelling works by 12 very different artists.

Up first, is a show by Linda E. Jones and Riki Moss.

Jones offers a series of encaustic works. Underneath the waxy conglomeration of beeswax, resin and pigments, the viewer will find, layered atop digital prints, archaeological finds, medical detritus and natural objects, such as seaweed and kelp, gathered either impulsively or with great thought over the past 20 years.

As made evident in “Limbs,” Jones uses the artistic process to determine the myriad meanings of words and objects as they relate to emotion. “Limbs” was inspired by an encounter the artist had with a young man with a tattoo of a tree painted onto his lower arm. Over the life of the work, that word and its referential objects were assiduously studied and contemplated.


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